Thomas Struth, “Audience 3 (Gallerie Dell’Accademia), Florenz” (2004), photograph, c-print on plexiglass. Courtesy of the Marian Goodman Gallery.
Svea Bräunert: "Specters of Terrorism: Media Theory and Cultural History in West Germany" Mar 2, 2016 | 12:00PM
Martin Blumenthal-Barby: "'Uncalculated Beauty': Harun Farocki’s Theory of Surveillance Imagery" Feb 17, 2016 | 10:00AM